Sunday, 23 April 2017

History of the Thriller Genre

Early Thrillers
1920's + 1930's

  • In 1926 Alfred Hitchcock (a British director, who directed many famous thriller films) released his first thriller 'The Lodger', a silent thriller that followed a Jack The Ripper plot.
  • The thriller movies released in this time period, could be said to be the most key thriller films produced.
  • They used techniques that are widely recognised as the codes and conventions of the thriller genre.
  • Through the repetition of the codes and conventions, it is now clear to any audience if a film fits into the thriller genre.

Thrillers in the 
1940's

In the 1940's Hitchcock continued to:
  • Release suspense-thrillers:
    • Foreign Correspondent (1940)
    • Rebecca (1940)
    • Saboteur (1942)
    • Shadow of a Doubt (1943)

Thrillers Films
1950's

In the 1950's Alfred Hitchcock made a massive change to the thriller genre. He added technicolor to his thrillers, they were no longer in black and white. He also added a touch of glamour to his films, by casting 'icey blondes' to play the leading ladies.

Hitchcock films in the 50's:
  • Strangers on a Train (1951) 
  • Dial M For Murder (1954) 
  • Rear Window (1954)  
  • To Catch a Thief (1955)
  • Vertigo (1958)

Iconic Sounds


Research #1

CONVENTIONS OF A THRILLER
  • creates suspense and excitement for the audience
  • enigmatic
  • violence is central
  • hero and antagonist share characteristics
  • possibly focuses on the injustices of society
ART HOUSE ...
is a film genre which encompasses films where the content and style – often artistic or experimental – adhere with as little compromise as possible to the filmmakers’ personal artistic vision. The narrative is often in the social realism style with a focus on the characters’ contemplation of their existence or immediate concerns.

Audience Expectations

PRIMARY RESEARCH

I asked 20 people to complete this questionnaire, the results were all fairly similar. 

  • The audiences expectations of what is conventional in a thriller are very similar to secondary research and the correct conventions.
  • Some themes can be misinterpreted with horror, such as the supernatural and jump scares.
I also asked the question alongside whether they enjoyed watching thrillers, and 65% answers yes, which could relate to the accurate answers to what is expected in a thriller.













Thriller film research source



SECONDARY RESEARCH
From this blog post, it is shown that the highest expectations from a thriller film are blood, police and action, which are conventions relating most to crime thrillers such as 'Silence of the Lambs' and 'Memento'. This supports the results of one of the other charts from the source which shows that from the participants, crime thrillers are most watched with 35%, and action thrillers at 30%. The sub genres of action and crime thrillers overlap each other in terms of conventions, and would supposedly create the most suspense and perhaps enigma in narrative.


Conventions of the Thriller genre

9 Frame Structure Analysis

Thriller Iconography



AESTHETICS

SHADOWS
COLOUR SCHEME
DARK MOODY ATMOSPHERE
Films like Shutter Island, No Country for Old Men, and Donnie Darko have a dark and gloomy atmosphere which suits the narrative and also the audience.

CAMERA ANGLES
EXTREME CLOSEUPS
OVERHEAD SHOTS
VARIETY OF SHOTS
MIDSHOTS
FULL BODY SHOTS
Films such as The Grand Budapest Hotel, Moon, and Life of Pi include a variety of angles, some creating the dramatic feel of the film.

EDITING

STILLS/SHARP CUTS
DIEGETIC & NON-DIEGETIC SOUND
Films, including, Enemy of the State, Pulp Fiction, and Usual Suspects, use certain editing techniques that make it look professional and also keeping consistent, and do not under or over edit.

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Certain devices found in Thriller films are such like the following:

Knives - knives are a typical symbol associated with a thriller as they have connotations of blood, death, pain and brutality. A typical representation of this would be in the famous knife scene from Hitchcock's film 'Psycho'. Knives are often used to show that somebody is going to get killed and thus it acts a common device to keep the audience engaged.

Shadows - Silhouettes and shadows are what give a thriller the enigma and mystery for the audience. Shadows are a common piece of iconography associated with the thriller genre because they build up fear in the audience, by instigating that the protagonist is being watch by a human being or some kind of animal/monster. The protagonist is often oblivious to this but can often sense that something isn't right, which leads them on their journey. They often induce thoughts of fear and darkness for the audience as well as giving them clues and they ask questions out of suspense. A character with a silhouette is most likely to be the antagonist, which usually isn't revealed until the end of the film.

Confined Spaces - The use of confined spaces in a thriller also makes the audience feels as though they are too trapped. Being in a confined space often leads the protagonist to start breathing heavily and panting to inform how they are trapped and cannot escape, or it often leads to the start of their struggle as they try to break free.

Woods - Woods are locations often used for thrillers. This is because they create a sense of being lost as the characters find themselves trying to figure out how to escape. Woods are often isolated too, which creates a sense of vulnerability and it seems inevitable that the characters will ever find any help. There may be one house in the woods which often turns out to be the antagonist.

Running Water - Running water is often a symbol of death  as it suggests the draining of life or it is often associated with blood  dripping and suggests that the characters are in danger.

Street Lamps - Street lights at night are often used in thrillers to keep the emphasis and focus on the protagonist and the fact that there is almost complete darkness surrounding them, apart from the spotlight from the lamp. This further accentuates the fact that the protagonist is alone in the dark and creates fear for the audience as they do not know what might be underlying in the darkness and therefore a tense atmosphere is created.